"The Chain" ( Rumours, 1977)"And if you don't love me now/You will never love me again/I can still hear you saying/You would never break the chain""The Chain" is literally a team effort, with all five band members receiving songwriting credit and shining as an ensemble. In this case, the couple (presumably Buckingham and Nicks) is so happy together on Mondays but come Fridays they take a bad turn — positing how intense feelings can turn on a dime. (Check Buckingham's deft slide guitar break as well.) Despite the track's upbeat nature, upon closer listen there's a troubling relationship issue at play, a theme the group would explore ably on Rumours. Tuneful pop sensibilities and hooks abound, led by Buckingham's animated voice, showers of heavenly harmonies and a rock-steady rhythm section."In many ways, it is the band's manifesto." "Silver Springs" ( Rumours B-side, 1977)"You could be my Silver Springs/Blue-green colors flashing""Silver Springs" glistens as an example of just how deep the wellspring of songwriting ran in Fleetwood Mac. "Something magical was happening while the band was playing down the song — I could see that they had started to feel the excitement, too," said producer Ken Caillat in his 2013 book, Making Rumours. The stronger link in "The Chain" is the spooky jam that commences at the three-minute mark and twists and turns until fade-out.Ultimately, "Silver Springs" found its well-deserved day in the sun, with the live version from 1997's The Dance earning a GRAMMY nomination. Gentle-as-a-feather dynamics support throughout, propelled by Buckingham's delicate guitar swells and shimmery harmonics. Tackling a relationship situation from a "what could have been" scenario, Nicks stitches pretty imagery ("I would be your only dream/Your shining autumn ocean crashing") together with stern warnings ("I will follow you down until the sound of my voice will haunt you").
With her breezy hit "Over & Over" opening the album and "Never Forget" closing it out, McVie bookends Tusk as if to provide listeners warm, cozy boundaries amid the chaos. Running counter to Buckingham's oddball leanings and Nicks' mysticism on Tusk, McVie brought her honey-laced contralto and literate pop songcraft to the party, with songs like "Never Forget" dripping with romantic sentiment. The result is a delectable mix of sweet and melancholy.Fleetwood Mac named 2018 MusiCares Person of the Year "Never Forget" ( Tusk, 1979)"We'll never forget tonight/What a wonderful night to be/The stars must be my friends/To shine for me"There are lovely voices and then there is Christine McVie's voice. This insular song finds an interesting middle ground with a crooning Buckingham innocently pleading over a chiming acoustic track, anchored by a boxy, lo-fi drumbeat. "Save Me A Place" is but one example of the disparate material he contributed, which tossed aside radio-friendly nuances in favor of off-the-wall aesthetics (for example, taping microphones to the ground and singing into the floor). "Save Me A Place" ( Tusk, 1979)"Save me a place/I'll come running if you love me today"Rather than assemble Rumours II, Fleetwood Mac charted a rebellious direction with Tusk, an ambitious double album masterminded by Buckingham that is perhaps best described as their chaotic version of the White Album. Once again, Christine McVie's pop offerings are nestled comfortably in the middle of Buckingham's edginess and Nicks' fairy tales. "Mystified" ( Tango In The Night, 1987)"Pretty darling/This feeling is deep inside/You got me mystified"A full decade removed from Rumours, Tango In The Night is a different slice of Fleetwood Mac served chilled with a high-gloss chaser. While the lyrics are surely open to interpretation, an interesting theory comes courtesy of fan site StevieNicks.info, which has concluded the song is a capsule of Nicks' career challenges at the time: balancing her flowering solo career after the success of 1981's Bella Donna with returning to the Fleetwood Mac fold for Mirage. "There's no doubt that having come off Tusk there was a conscious effort to make Mirage into more of a band album," Fleetwood told Rolling Stone. The tune is classic Mac through and through with layered harmonies, howling Buckingham guitar lines and a sturdy rhythm section framework, topped with rare vocal interplay between Nicks and Christine McVie. For You Fleetwood Code LB2022 PicAnd everything he's been through since he recorded tunes like "Scream," "I Don't Mind" and "On the Wrong Side"—honestly, the album is three years old now after a comical number of delays—gives the tunes added heft, import and longevity.UK and EU Tickets go on sale this Friday at 10:00AM BST, but you can get your tickets NOW with the presale code LB2022 pic.twitter.com/L7GUBD0JLl— Lindsey Buckingham September 1, 2021But for now, the singer/songwriter and guitarist can give it the old college try. How does he keep that psychological and spiritual mechanism well-oiled?Perhaps the answer is best articulated in good ol' music: His new album, Lindsey Buckingham, which arrives September 17, is permeated with this big-picture thinking. For decades, the two-time GRAMMY winner alchemized pain and awkwardness into effervescent pop music like almost nobody else—and sold millions and millions of records as a result. Crane your ear, and you can faintly hear the click-clack of MacBook keys assembling the following lede: Open-heart surgery, almost losing his voice forever, a looming divorce (they've since thrown that into reverse—love never fails!) and a certain über-dramatic rock institution handing him the pink slip.But that readymade narrative leaves out the most important part, which is how it all comes out the other side of Buckingham's brain. In addition to scoring with the hits "Everywhere" and "Little Lies," deeper McVie cuts like "Mystified" add proof that she benefited the most from Tango In The Night's slick, dreamy soundscapes.More Fleetwood Mac: Watch their Album Of The Year acceptance for RumoursLindsey Buckingham's new album comes prepackaged with obvious talking points. Near the end, he spills the tea about why he's really no longer in Fleetwood Mac. Tour to discuss the long road to the new album and how he maintains a PMA with the Sword of Damocles over his head. "There's nothing you can do about that." That was the attitude he maintained during the Jerry Springer-style lovers' fiascos that fueled Rumours, and it's how he feels today, when predicaments and headaches that "weren't on the radar" blindside him.GRAMMY.com caught up with Buckingham during rehearsals for his current U.S. It's just that I think it exists hand-in-hand with the light," he says over FaceTime. Because of Fleetwood Mac politics, that didn't happen.And then, after all the stuff we'd done with Fleetwood Mac, I thought "Well, rather than put the album out then, I thought I'd put out the anthology"—the best-of that I did in 2018, which was great fun and it was sort of cathartic to revisit all that.And t hen we really were starting to get ready to rehearse and then I had this bypass I had in 2019. I love it.Is it weird to be promoting music you made a while ago? I didn't know it was so old.You know, it's funny: When I did that duet album with Christine , my original intention—becuase I was working on this simultaneously—was to put it out back-to-back with that. So, we're finally here and it's good to be playing. Certain things kept getting in the way. We had several attempts to get this album out over the last three years because it's been ready to go for over three years. There's none of the politics that always were there with Fleetwood Mac. Free ohio drivers license templatesHealth issues are going to come and go. Rock 'n' roll bands are rock 'n' roll bands.
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